Émile Sopkowe (they/them) has had a lifelong interest in blurring the boundaries between craft and art. When they discovered rug hooking, they delved headlong into an exploration of textiles, which are associated with comfort and warmth within our homes, but have appeared less often in spaces devoted to art.
Émile is a queer and trans educator, a human rights advocate, and a person who lives with a disability. They have a passion for creating opportunities for children to explore art not only as a means to produce a creative product, but also as a way to express emotion and to explore facets of identity. They use primarily repurposed materials, in keeping with the traditional roots of hooked rugs, but often incorporate unconventional themes into this traditional medium. As rug hooking is associated with women’s handiwork and craft, Émile plays against these perceptions to sometimes create dissonance between the medium and the imagery. Even when hooking within more traditional themes and images, Émile uses a rich and varied range of repurposed materials to capture a contemporary interpretation of the imagery.
Émile is a juried member of the NL Craft Council and has sold hooked rug pieces in Craft Council members exhibitions. They presented a virtual rug hooking workshop at the Tombolo Multicultural Festival in 2020. They were awarded an ArtsNL grant in 2024 for a rug hooking project. In 2024, they were selected as an exhibitor at the Memorial Botanical Gardens exhibit Windows on the Garden, the Art Around the Bay curated art fair in Cupids. Their hooked rug Trans Formation was purchased in 2024 by NL Health Services for display at the new Mental Health and Addictions hospital.
Raised in Bay de Verde, NL and influenced by his father Ray Walsh and the
singing and playing of his grandparents and extended family, Greg Walsh
became interested in music as a teenager and immediately took to learning
traditional songs and playing traditional instruments including fiddle, mandolin,
guitar, tenor banjo, piano accordion, bozouki, etc.
After moving to St. John’s in 1993 to attend university, he began frequenting
traditional music sessions and over the years went on to play, tour and record
with many groups including The Navigators, Irish Descendants, Foc’sle, Middle
Tickle and has appeared on hundreds of other musical projects, shows,
radio/television specials and events.
As a multi-instrumentalist and a singer of traditional songs, he has performed and
taught workshops around Newfoundland and Labrador, across Canada and
throughout Ireland with a variety of groups and as a solo performer.
A founding member of the Walsh Family Band, Greg is also a permanent
member of the Masterless Men (since 2007), the Corner Boys (since 2024) and
is a regular on the St. John’s traditional music session scene. He still records and
performs with a variety of groups and artists and currently resides in St. John’s,
NL where he works as Director of the Provincial Archives of Newfoundland and
Labrador.
DUANE ANDREWS‘ music is the product of a great ear, an adventurous spirit and a love of music that is beyond category. Uniting what would seem to be impossible – traditional Newfoundland music with the swing jazz of the legendary Django Reinhardt, Andrews makes it not just work – he makes it soar. The Juno award winning producer, composer, guitarist and globetrotting performer’s latest album is the best evidence yet of his truly unique musical vision and is the sound of him, literally, bringing it all back home.
A native of the island of Newfoundland, off the east coast of Canada, Duane grew up exposed to the island’s mélange of cultural influences and his development as a guitarist reflects that. After graduating from the Jazz Studies program at St. FXU with honours, Duane spent several years studying contemporary music composition at the Conservatoire International de Paris and at the Conservatoire National de Region in Marseille, France.
A 14-time Grammy winner and Billboard Century Award recipient, Emmylou Harris’ contribution as a singer and songwriter spans 40 years. She has recorded more than 25 albums and has lent her talents to countless fellow artists’ recordings. In recognition of her remarkable career, Harris was inducted into the Country Music Hall of Fame in 2008 and earned a Grammy Lifetime Achievement award in 2018.
Harris is known as much for her eloquently straightforward songwriting as for her incomparably expressive singing. Admired through her career for her talent as an artist and song connoisseur, Harris shook up country radio in the 1970s, and established herself as the premiere songwriter of a generation selling more than 15 million records and garnering 14 Grammy Awards, three CMA Awards, and four Americana Awards.
Harris is one of the most admired and influential women in music. She has recorded with such diverse artists as Linda Ronstadt, Daniel Lanois, Bob Dylan, Mark Knopfler, Neil Young, Gram Parsons, Willie Nelson, Dolly Parton, Roy Orbison, Ryan Adams, Beck, Elvis Costello, Johnny Cash, Lucinda Williams, Lyle Lovett and Rodney Crowell. Few artists have achieved such honesty or have revealed such maturity in their writing. Forty years into her career, Harris continues to share the hard-earned wisdom that—hopefully if not inevitably—comes with getting older, though she’s never stopped looking ahead.
A longtime social activist, Harris has lent her voice to many causes. Most passionately to animal welfare. In 2004 she established Bonaparte’s Retreat with the goal of rescuing shelter dogs and adopting them into forever homes. To this day, Bonaparte’s Retreat continues to save dogs most in need at Metro Nashville Animal Care and Control and at municipal shelters in surrounding counties.
Ils sont peut-être croches, durs de la tête et légèrement rouillés, mais ils se tiennent debout devant l’immobilisme, le conformisme sans questionnement, la petite politique, la démocratie de façade, l’égo mal placé et le pessimisme face au rayonnement des cultures minoritaires.
Comment s’y prennent-ils ? À coup de Folk, de Musique Trad Endiablée, de Rock, et même d’un peu de Punk… En français en plus…
Avec Laura Penney (guitare rythmique), Benjamin James (guitare solo), Jenna Maloney (basse, violon, mélodica) et Etienne Beaulieu (batterie), venez les voir faire des flammèches avec le marteau et faire un pied de nez au pied de biche… voici Fred et les Clous Tordus…
High & Lonesome grew from a lively weekly bluegrass and country jam at Erin’s Pub. What began as a mix of concerts, open mics, and sweet (pie) prizes evolved into a dedicated house band featuring Daniel Banoub (guitar), Mark Finch (banjo), Matt Hender (upright bass), Dave Rowe (mandolin), and Lucas Rose (dobro). This crew brings plenty of joy to the stage, with their high-energy musicianship shining through a mix of classic and modern bluegrass tunes and instrumentals.
Eleanor Dawson grew up in Bay Roberts, where she developed a lifelong interest in the history, folklore, and culture of Newfoundland and Labrador. One of the founders of the Newfoundland and Labrador Folk Festival, Eleanor has a particular interest in traditional singing and has a vast repertoire of songs from the English, Irish, and Newfoundland traditions. She is currently co-host of the monthly St. John’s Song Circle at the Crow’s Nest Officers’ Club in St. John’s.
Fiddler Evelyn Osborne loves nothing better than to see the rug hove back and dancers up on their feet to her lively tunes. She has played for the Goat in foggy Newfoundland to Morris sets in sweaty Hong Kong, and a few spots in between. Newly returned from a long sojourn in the Far East (Asia, not Cape Spear), she is delighted to be back playing with dance caller Jane Dennison. Evelyn has taught and played fiddle locally, nationally, and internationally (UK, Ireland, Asia, and Australia). In 1999, she began collecting Newfoundland fiddle tunes and musician life stories and has chatted with over 120 musicians throughout the province, Ireland, England, and New York. She also loves a good vaudeville show!
